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悲劇的誕生偶像的黃昏-西方人文經典讀本-英文版 版權信息
- ISBN：9787511710895
- 條形碼：9787511710895 ; 978-7-5117-1089-5
- 裝幀：一般膠版紙
- 冊數：暫無
- 重量：暫無
- 所屬分類：>>
悲劇的誕生偶像的黃昏-西方人文經典讀本-英文版 本書特色
《悲劇的誕生》是尼采的**部較為系統的哲學和美學著作，他從希臘民問傳說中的酒神崇拜和日神崇拜的爿俗中找到了開啟希臘占典悲劇、藝術及民族精神的鑰匙，以哲學的激情和恢宏的氣勢闡釋了藝術的起源、本質及功用，文風犀利，說理透辟，足學界和一般讀者*喜愛的一部尼采的著述。《偶像的黃昏》是尼采僅用一周的時間完成的，作者采用反題、顛倒、佯謬等手法打破僵死的思維模式，發見真理，在新生與沒落、價值顛倒與價值確立等方面給讀者以啟迪，與《查拉圖斯特拉如是說》、《快樂的科學》等著作無可爭議地成為了當代西方哲學的嚆矢。
悲劇的誕生偶像的黃昏-西方人文經典讀本-英文版 內容簡介
nierzsche found in classical athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. nietzsche discusses the history of the tragic form and introduces an intellectual dichotomy between the dionysian and the apollonian. nietzsche claims life always involves a struggle between these two elements， each battling for control over the existence of humanity. twilight of the idols was written in just over a week. as nietzsche's fame and popularity was spreading both inside and outside germany， he felt that he needed a text that was a short introduction to his work; twilight of the idols is his attempt at this，
悲劇的誕生偶像的黃昏-西方人文經典讀本-英文版 目錄
introduction
the birth of tragedy
the birth of tragedy
twilight of the idols
preface
maxims and arrows
the problem of socrates
"reason" in philosophy
how the "true world" finally
became a fable
morality as anti-nature
the four great errors
the "improvers" of mankind
what the germans lack
skirmishes of an untimely man
the birth of tragedy
the birth of tragedy
twilight of the idols
preface
maxims and arrows
the problem of socrates
"reason" in philosophy
how the "true world" finally
became a fable
morality as anti-nature
the four great errors
the "improvers" of mankind
what the germans lack
skirmishes of an untimely man
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悲劇的誕生偶像的黃昏-西方人文經典讀本-英文版 作者簡介
FRIEDRICH NIETZSCHE（1844-1900） was a 19th-century German philosopher， poet， composer and classical philologist. He wrote critical texts on religion， morality， contemporary culture， philosophy and science， displaying a fondness for metaphor， irony and aphorism. Nietzsche's influence remains substantial within and beyond philosophy， notably in existentialism， nihilism and postmodernism. His key ideas include the death of God， perspectives， the Ubermensch， the eternal recurrence， and the will to power.
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