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許淵沖譯唐詩三百首:漢文·英語
羅曼.羅蘭傳 版權(quán)信息
- ISBN：9787205093433
- 條形碼：9787205093433 ; 978-7-205-09343-3
- 裝幀：簡裝本
- 冊數(shù)：暫無
- 重量：暫無
- 所屬分類：>>
羅曼.羅蘭傳 本書特色
典英語文庫”自2013年8月上市至今，整套圖書已出版七輯共120部作品。圖書選本方面，皆來自世界經(jīng)典名著，涉及政治、藝術(shù)、人文、詩歌、小說等各個領(lǐng)域，原文呈現(xiàn)名著原貌，滿足不同讀者的閱讀需求，《了不起的蓋茨比》《哈姆雷特》等經(jīng)典讀本更是為廣大讀者所追捧。圖書設(shè)計上，完全遵循國外名著圖書的經(jīng)典流行開本規(guī)范，掌中書的大小便攜、易讀；封面設(shè)計、正文版式、印刷材質(zhì)等方面更是精益求精，力求將*經(jīng)典、*純粹的外國文學(xué)帶給廣大的中國讀者，更新大家的英文圖書閱讀習(xí)慣。
羅曼.羅蘭傳 內(nèi)容簡介
羅曼 羅蘭，思想家、文學(xué)家、音樂評論家、社會活動家、1915年諾貝爾文學(xué)獎得主，1866年出生于法國卡拉姆西。羅蘭深受貝多芬、莎士比亞、托爾斯泰、馬爾維達等巨人思想的影響，一生致力于人類進步事業(yè)，被譽為“歐洲的良知”。作者茨威格從羅蘭的童年寫起，直至1919年羅蘭的《精神獨立宣言》發(fā)表。與一般傳記不同，茨威格不拘泥于羅蘭的生平梳理，而是通過解讀貝多芬、莎士比亞、托爾斯泰等名人對羅蘭產(chǎn)生的重要影響，刻畫羅蘭的個性氣質(zhì)、人格形成、命運走向，分析其執(zhí)著的人生信念與人格魅力，彰顯羅蘭思想和作品的巨大影響力。
羅曼.羅蘭傳 目錄
PART ONE BIOGRAPHICAL
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
PART TWO EARLY WORK AS A DRAMATIST
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
PART THREE THE HEROIC BIOGRAPHIES
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
PART FOUR JEAN CHRISTOPHE
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
PART FIVE INTERMEZZO SCHERZOSO
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
PART SIX THE CONSCIENCE OF EUROPE
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
CHAPTER 23
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
PART TWO EARLY WORK AS A DRAMATIST
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
PART THREE THE HEROIC BIOGRAPHIES
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
PART FOUR JEAN CHRISTOPHE
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
PART FIVE INTERMEZZO SCHERZOSO
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
PART SIX THE CONSCIENCE OF EUROPE
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
CHAPTER 23
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羅曼.羅蘭傳 節(jié)選
His first years of childhood were passed in theshadow of the defeat of 1870. In Antoinette， Rollandsketches the tranquil life ofjust such a provincial townas Clamecy. His home was an old house on the bankof a canal. Not from this narrow world were to springthe first delights of the boy who， despite his physicalfrailty， was so passionately sensitive to enjoyment. Amighty impulse from afar， from the unfathomable past，came to stir his pulses. Early did he discover music，the language of languages， the first great message ofthe soul. His mother taught him the piano. From itstones he leamed to build for himself the infinite worldof feeling， thus transcending the limits imposed bynationality. For while the pupil eagerly assimilatedthe easily understood music of French classicalcomposers， German music at the same time enthralledhis youthful soul. He has given an admirabledescription of the way in which this revelation cameto him： “We had a number of old German musicbooks. German? Did I know the meaning of theword? In our part of the world I believe no one hadever seen a German ... I tumed the leaves of the oldbooks， spelling out the notes on the piano， ... and theserunnels， these streamlets of melody， which wateredmy heart， sank into the thirsty ground as the rain soaksinto the earth. The bliss and the pain， the desires andthe dreams， of Mozart and Beethoven， have becomeflesh of my flesh and bone of my bone. I am them，and they are me.... How much do I owe them. When I was ill as a child， and death seemed near， a melody of Mozart would watch over my pillow like a lover.... Later， in crises of doubt and depression， the music of Beethoven would revive in me the sparks of eternal life.... Whenever my spirit is weary， whenever I amsick at heart， I turn to my piano and bathe in music.” Thus early did the child enter into communion with the wordless speech of humanity； thus early had the all-embracmg sympathy of the life of feeling enabled him to pass beyond the narrows of town and of province， of nation and of era. Music was his first prayer to the elemental forces of life； a prayer daily repeated in countless forms； so that now， half a century later， a week and even a day rarely elapses without his holding converse with Beethoven. The other saint of his childhood‘s days， Shakespeare，likewise belonged to a foreign land. With his first loves， all unaware， the lad had already overstridden the confines of nationality. Amid the dusty lumber in a loft he discovered an edition of Shakespeare，which his grandfather （a student in Paris when Victor Hugo was a young man and Shakespeare mania was rife） had bought and forgotten. His childish interest was first awakened by a volume of faded engravings entitled Galerie des femmes de Shakespeare. His fancy was thrilled by the charming faces， by the magical names Perdita， Imogen， and Miranda. But soon，reading the plays， he became immersed in the maze of happenings and personalities. He would remain in the loft hour after hour， disturbed by nothing beyond the occasional trampling of the horses in the stable below or by the rattling of a chain on a passing barge.Forgetting everything and forgotten by all he sat in a great armchair with the beloved book， which like that of Prospero made all the spirits of the universe his servants. He was encircled by a throng of unseen auditors， by imaginary figures which formed a rampart between himself and the world of realities.
……
羅曼.羅蘭傳 作者簡介
Stefan Zweig （28 November 1881-22 February 1942） was an Austrian novelist， playwright， joumalist and biographer. At the height of his literary career， in the 1920s and 1930s， he was one of the most popular writers in the world.
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