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最經典英文文庫:雙城記-英文版 版權信息
- ISBN：9787205076801
- 條形碼：9787205076801 ; 978-7-205-07680-1
- 裝幀：簡裝本
- 冊數：暫無
- 重量：暫無
- 所屬分類：>>
最經典英文文庫:雙城記-英文版 內容簡介
《*經典英語文庫：雙城記（英文版）》是描述法國大革命的一部長篇歷史小說，“雙城”分別指的是巴黎與倫敦。后來被改編拍攝了多個版本的電影，也有音樂專輯以此為名。它也是狄更斯*重要的代表作之一，狄更斯47歲時發表，算是其中年的巔峰之作。 早在創作《雙城記》之前很久，狄更斯就對法國大革命極為關注，反復研讀《法國革命史》和有關著作。他對法國大革命的濃厚興趣，發端于對當時英國潛伏著的嚴重社會危機的擔憂。1854年底，他說：“我相信，不滿情緒像這樣冒煙比火燒起來還要壞得多，這特別像法國在DI一次革命爆發前的公眾心理，這就有危險，由于千百種原因——如收成不好、貴族階級的專橫與無能，把已經緊張的局面*后一次加緊、海外戰爭的失利、國內偶發事件等等——變成從未見過的一場可怕的大火。”
最經典英文文庫:雙城記-英文版 目錄
Book the First-Recalled to Life
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
Book the Second-the Golden Thread
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER7
CHAPTER 8
CHAPTER9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
……
Book the Third-the Track of a Storm
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
Book the Second-the Golden Thread
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER7
CHAPTER 8
CHAPTER9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
……
Book the Third-the Track of a Storm
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最經典英文文庫:雙城記-英文版 節選
"She was a good， compassionate lady， and not happy in her marriage. How could she be! The brother distrusted and disliked her， and his influence was all opposed to her; she stood in dread of him， and in dread of her husband too. When I handed her down to the door， there was a child， a pretty boy from two to three years old， in her carnage. "'For his sake， Doctor，' she said， pointing to him in tears， 'I would do all I can to make what poor amends I can. He will never prosper in his inheritance otherwise. I have a presentiment that if no other innocent atonement is made for this， it will one day be required of him. What I have left to call my own-it is little beyond the worth of a few jewels-l will make it the first charge of his life to bestow， with the compassion and lamenting of his dead mother， on this injured family， if the sister can be discovered.' "She kissed the boy， and said， caressing him， 'It is for thine own dear sake. Thou wilt be faithful， little Charles?' The child answered her bravely， 'Yes! I kissed her hand， and she took him in her arms， and went away caressing him. I never saw her more."As she had mentioned her husband's name in the faith that I knew it， I added no mention of it to my letter. I sealed my letter， and， not trusting it out of my own hands， delivered it myself that day. "That night， the last night of the year， towards nine o'clock， a man in a black dress rang at my gate， demanded to see me， and softly followed my servant， Ernest Defarge， a youth， up-stairs. When my servant came into the room where I sat with my wife my wife， beloved of my heart! My fair young English wife!-we saw the man， who was supposed to be at the gate， standing silent behind him. "An urgent case in the Rue St. Honore， he said. It would not detain me， he had a coach in waiting. ……
最經典英文文庫:雙城記-英文版 作者簡介
Charles Dickens （February 1812-9 June 1870） was an English writer and social critic. He created some of the world's most memorable fictional characters and is generally regarded as the greatest novelist of the Victorian period. During his life， his works enjoyed unprecedented fame， and by the twentieth century his literary genius was broadly acknowledged by critics and scholars. His novels and short stories continue to be widely popular. His novels， most published in monthly or weekly instalments， pioneered the serial publication of narrative fiction， which became the dominant Victorian mode for novel publication. His most famous novels are David Copperfield， Oliver Twist， Bleak House and Great Expectations. Dickens was regarded as the literary colossus of his age. His 1843 novella， A Christmas Carol， is one of the most infiuential works ever written， and it remains popular and continues to inspire adaptations in every artistic genre. His creative genius has been praised by fellow writers-from Leo Tolstoy to G. K. Chesterton and George Orwell-for its realism， comedy， prose style， unique characterizations， and social criticism. On the other hand Oscar Wilde， Henry James and Virginia Woolf complained of a lack of psychological depth， loose writing， and a vein of saccharine sentimentalism.
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